mp3 | 192
"With the aerial photography of artist Olafur Eliasson as a reference point, Frank Bretschneider has composed a polymorphous pullback of tick-laced bass transmissions that weave in and out of unnamed components, many lasting around a minute at most for the duration of the program. Many combine gossamer-like textures with heavier rumblings, but most of the audio surfaces here are so slippery with motion; there is so little to hold on to for too long before you slip away into another chamber or room of the proceedings. Echoes and delays abound, further challenging the ability to discern time and space. Around track 7 there appear some crystalline taps with some dub-like ripples, and track 12 even has slight handclaps coming to the fore. The early 20s are particular favourites, with near-vocal shifts and frequencies that wax and wane in and out of focus. An excellent fluid. "
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